[02:17 - 02:54] Color Correction: The Foundation of Filmmaking, Not Tricks

Then the same scene becomes some alien vision. He doesn't slow anything down, he doesn't retouch anything, he doesn't intensify it with textures. The colorist simply works, and he writes: 'So, the first thing a colorist does is white balance, gray balance, black balance,' that's it. It's fantastic. That is, he says: 'Guys, wait, you don't need to engage in editing tricks here. Just start with basic color correction. Maybe that will already build everything.' It builds the shot. It's just a different feeling.